![]() ![]() The comfortable seats morph into daybeds. The extended sundeck, which was revised with a bar beautifully integrated along the port side of the hardtop structure, is a very pleasant playground, well protected from the wind with a large Jacuzzi in the front.Īmong many smart decisions here are sockets for outdoor television screens, which can easily be removed for crossings. The owners, who hail from Canada, love spending time outdoors. GUILLAUME PLISSON The Raytheon bridge’s console has 42-inch screens that are easy to see for the watch crew seated in the helm chair “I wanted to embrace the marine language and we wanted to create a colour palette that was unique, so everything is customized on the boat.” To achieve the right finish, the mill workers did 14 samples of the custom veneer. It must feel like you are on a boat,” he says. “They try to make it like a hotel room or somebody’s house, but you are on a boat. It’s as anachronistic in his view as building a Georgian-style house in the wilderness. One of his takeaways from the yacht show and subsequent research was that a lot of yacht interior design mirrors high-end hospitality design and is residential in nature. “But why are we here ? We are here to experience that out there.” “When I was on other yachts, I wasn’t looking out the window because there was a lot of noise,” he says. “The bridge deck is a beautiful blue-grey colour, and when I stood there, I noticed the carpet and the sea were all the same colours.” The effect was that the interior almost disappeared, leading his eyes to focus outside on the merger of sky and sea. When he spent a few days on board, Burdi saw first-hand how the interior worked with the environment. Once opened, which they usually are when the guests are on board, they reveal their contents set against beautifully lit lacquered walls. We hid all the functionality so you’re just looking at the beauty.” Even the bars – often clad in all manner of backlit stones or colourful tufted leathers on board yachts – are hidden inside cabinets that match the surrounding walls. “A lot of the things you see on the yacht are reactions to what I saw at the show,” he says. ![]() But with more than 30 years of experience designing luxury retail spaces, hotels and residences, he had much to go on. However, he was impressed with the execution and enthused by the possibilities.īack at his studio in Toronto, he had a lot to absorb and distil into the design, including the charter demands, the client’s desires and the constraints of a set technical plan that didn’t allow him to take extra inches allotted to the yard. “It is just like more is more is more,” which is the antithesis of his studio’s design credo. “The first impression was ‘Wow, this is amazing,’ but the other impression was ‘Wow, there’s a lot going on here – like a lot,’” he says. ![]() “I think we saw eight boats that day, several of them bigger than this one,” he says. He was, by his admission, awed and a bit overwhelmed. Burdi, an easy interview, ebullient and free with his words, attributes some of this interior to the reaction he had visiting his first yacht show. ![]()
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